Romeo and juliet how long is the play

Just before they do, however, Capulet and Paris have a conversation in Act 3 Scene 3 where Capulet says "What day is this? In Act 4 Scene 2 Capulet changes the wedding to the next morning i. The Tuesday ends with Juliet taking the potion in Act 4 Scene 4. Day 4: Wednesday starts with Act 4 Scene 5. Juliet is discovered to be apparently dead and will be buried late that morning.

He arrives at night, about 42 hours after Juliet took the potion on Tuesday night. The night passes very quickly. Day 6: A glooming peace this morning with it brings.

It is early in the morning, and the play is at an end. It started Sunday morning and ends the following Friday morning, five days later. Romeo and Juliet is a five act play. Romeo and Juliet are fictional characters and since they were never really alive, there is no time which is "Romeo and Juliet's days".

But as it happens, there is a chemist or pharmacist or druggist, depending where you're from in Shakespeare's play Romeo and Juliet, and he is called an apothecary.

It's about a week, like 5 days. The play starts on Sunday and ends on Friday morning. The date of the events of the play Romeo and Juliet is not given in the play.

Romeo and Juliet is a play, not a book. Romeo is banished to Mantua in the play. The type of play "Romeo and Juliet" is drama. Tybalt, Romeo, Juliet, and Mrs. In the play Romeo and Juliet, Romeo has lines. Romeo 1. Romeo and Juliet. No, the nurse does not die in the Romeo and Juliet Play. Yes, Romeo was a Montague and Juliet was a Capulet. Romeo and Juliet was a tragic drama. Juliet's birthday is July 31st in Romeo and Juliet play.

Came he not home to-night? Torments him so, that he will sure run mad. O, he is the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance, and proportion; rests me his minim rest, one, two, and the third in your bosom: the very butcher of a silk button, a duellist, a duellist; a gentleman of the very first house, of the first and second cause: ah, the immortal passado!

O, their bones, their bones! Perchance she cannot meet him: that's not so. O, she is lame! Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come. Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. O God, she comes! A public place.

Thy head is as fun of quarrels as an egg is full of meat, and yet thy head hath been beaten as addle as an egg for quarrelling: thou hast quarrelled with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the sun: didst thou not fall out with a tailor for wearing his new doublet before Easter?

O simple! Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty.

Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back.

Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them.

O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence. Enter Nurse, with cords. Madam, good night: commend me to your daughter.

Wife, go you to her ere you go to bed; Acquaint her here of my son Paris' love; And bid her, mark you me, on Wednesday next-- But, soft! Well, Wednesday is too soon, O' Thursday let it be: o' Thursday, tell her, She shall be married to this noble earl. Will you be ready? We'll keep no great ado,--a friend or two; For, hark you, Tybalt being slain so late, It may be thought we held him carelessly, Being our kinsman, if we revel much: Therefore we'll have some half a dozen friends, And there an end.

But what say you to Thursday? Go you to Juliet ere you go to bed, Prepare her, wife, against this wedding-day. Farewell, my lord.

Light to my chamber, ho! Afore me! Good night. ROMEO It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops.

I must be gone and live, or stay and die. I'll say yon grey is not the morning's eye, 'Tis but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so. So look out for how often time is mentioned by characters, and what they have to say about it.

But when the two have to part, after Romeo has been banished to Mantua, time takes on a very different appearance. This alternating between fast and slow makes time incredibly elastic in this play. Ultimately, the young lovers are overtaken by the circumstances around them, as here too time has a key role to play. Think about how close we come in that final scene to a happy ending: Juliet is due to wake up at any moment, and then she can stop Romeo from taking his own life.

And what are the words Romeo uses to describe taking the poison?